LINCS stands for Languages and INterCultural Studies and our core purpose is to create multilingual, multicultural, global citizens. To achieve this, the “INCS” in LINCS also specialises in Cultural Studies such as living cultural heritage, intercultural dialogue, migrant identities and intercultural communication.
Our Cultural Studies section manages the cultural studies courses and programmes we deliver. Courses include Global Heritage, Cross-Cultural perspectives on Society, Intercultural perspectives on Sustainable Development, as well as the Global Courses (taught in all HWU campuses) Intercultural Issues in Business and Management (Undergraduate – also offered as part of Graduate Apprenticeship programmes), and Intercultural Communication in the Workplace (Postgraduate). It also manages our MSc Cultural Heritages programme family, which includes our MSc in Cultural Heritage Management with Tourism. Cultural Studies staff and students are also members of our Intercultural Research Centre (IRC).
Katerina Strani is the Head of the Cultural Studies section. She has a background in Languages and Political Theory and her PhD thesis (2011) focused on communicative rationality in the public sphere. Her research is interdisciplinary, and she is interested in how multilingualism and multiculturalism shape contemporary society and politics at all levels. Following an EU-funded project on hate speech and racism (RADAR), Katerina has developed a keen research interest in race relations and the language of racism. She has published papers on these topics, as well as intercultural dialogue from the perspective of belonging and heritage, discourses of Europeanness and hate communication. She has led EU-funded projects in intercultural training for educators, mobile tools for refugees and newly-arrived migrants as well as for learning indigenous languages, and has participated in a GRCF-funded project on digital tools for Rohingya refugees in SE Asia.
Katerina teaches International Politics, Society and Institutions in Contemporary Europe, Intercultural Issues in Business and Management and Conference Interpreting. She is a Chartered Linguist, a Member of the Political Studies Association, the International Communication Association and the University Association of Contemporary European Studies. For a list of publications and funded projects, please click here.
Email: A.Strani@hw.ac.uk Twitter: @KaterinaStrani
Máiréad Nic Craith is Professor of European Culture and Heritage. Máiréad’s academic career began with a lectureship at the University of Liverpool’s Institute of Irish Studies, funded as a result of the Irish Government’s commitment to the Anglo- Irish Agreement. Subsequently, she was Director of the Academy for Irish Cultural Heritages at the University of Ulster, set up in the aftermath of the Good Friday Agreement to undertake cross-community research, teaching and outreach activities. During that time, she collaborated with government and charitable organisations, such as the European Bureau for Lesser Used Languages, Derry City Council, Diversity 21, the Ulster American Folk Park, and the Ulster Folk and Transport Museum. Collaborative projects included a commissioned report for Fermanagh District Council on cultural and linguistic policy. She led a report on African migration in Northern Ireland commissioned by the Community Relations Council, and organised a symposium on peace agreements and (mis)communication (in honour of the Nobel laureate John Hume). In 2007, she was invited by the Smithsonian Folklife Festival, Washington, to prepare a brief relating to culture and language issues in Northern Ireland. Since her arrival to Heriot-Watt University in 2012, Mairead has developed links with national organisations such as the National Library of Scotland and Historic Environment Scotland, and international organisations such as POLIN (Museum of the History of Polish Jews). Having collaborated with organisations such as the UN in Geneva, the Scottish-Polish Heritage Project in Edinburgh and the Community Relations Council in Belfast, she is deeply committed to enhancing awareness of the potential of heritage to make a positive contribution to society (see her TEDx talk on Intangible Heritage 2015). From 2016- 2019, she was involved in a HORIZON 2020 European-wide collaborative research project on cultural heritage and social identity and cohesion. For a complete list of Máiréad’s publications, please click here.
Email: M.NicCraith@hw.ac.uk Twitter: @mairead_nc
Ullrich Kockel is Professor of Cultural Ecology and Sustainability at HWU, as well as Emeritus Professor of Ethnology at the University of Ulster and Visiting Professor in Vytautas Magnus University, Kaunas. He has a diverse academic and professional background, switching from a career in industrial management (Shell) to academic positions in Economics, Political Science, Sociology, and later Irish Studies and Ethnology. In 2003 he was elected to the Academy of Social Sciences and in 2012 he was elected to the Royal Irish Academy.
Ullrich’s overarching research interest is in sustainable local and regional development, especially the appraisal, planning and management of heritage and other cultural resources, approached from an interdisciplinary perspective rooted in anthropology, cultural ecology and political economy. He has conducted fieldwork and led projects throughout Europe. He is currently leading a work package in a €2.5m Horizon2020 project, CoHERE, on cultural forms and expressions of identity in Europe. For a complete list of Ullrich’s publications, please click here.
Email: U.Kockel@hw.ac.uk Twitter: @KockelU
Kerstin Pfeiffer is the Director of Undergraduate Teaching Programmes in LINCS. Her academic background is in literature and history, and her PhD work focused on new theoretical approaches to medieval biblical drama. She is secretary for and co-founder of the BASE (Bodies, Affects, Senses and Emotions) working group at the International Society for Ethnology and Folklore (SIEF) and was the School of Social Sciences representative on Subject Panel B (Design, Visual Arts, Architecture, Creative Writing, Film, Drama & Theatre Studies, Cultural Policy (Policy, Arts Management & Creative Industries), Music, Television Studies) of the Scottish Graduate School for the Arts and Humanities for 3 years.
Kerstin’s current research interests lie in the area of theatre and performance studies and particularly in the investigation of the afterlives of older dramatic forms and the role of drama in shaping, maintaining and challenging notions of identity and community. She has published on these topics and presented her research at many international conferences. For a list of Kerstin’s publications, please click here.
Email: K.Pfeiffer@hw.ac.uk Twitter: @DrKPfeiffer
Claudia V. Angelelli is Professor and Chair in Multilingualism and Communication. She is also Professor Emerita at San Diego State University and Visiting Professor at Beijing University of Foreign Studies. Her research sits at the intersection of sociolinguistics, applied linguistics and translation and interpreting studies. She designed the first empirically-driven language proficiency and interpreter readiness tests for The California Endowment and Hablamos Juntos (Robert Wood Johnson Foundation). She has been PI in research projects in Argentina, Australia, the European Union, and the United States. She has also led ISO 13611: Standards on Community Interpreting and co-authored The California Standards for Health Care Interpreters. Ethical Principles, Protocols, and Guidance on Interpreter Roles and Interventions. She teaches Intercultural Communication in the Workplace and Translation and Interpreting Studies. For a full list of publications, please click here.
John Cleary is Associate Professor and Director of Studies for Exchange Programmes. With a background in Applied Linguistics, English and TESOL, John teaches British Culture & Society, Film Studies, Introduction to Languages and Intercultural Studies, and Society and Institutions in Contemporary Europe. He has coordinated many projects on internationalisation, pedagogy and intercultural communication in Europe, Turkmenistan and South-East Asia. For a list of John’s publications, please click here.
Chiara Cocco – Cc80@hw.ac.uk
Chiara’s research explores the relationship between cultural heritage performance and collective identity construction. Drawing upon previous studies and theories which analysed national and cultural identity construction in sites of heritage and memory (Knudsen, 2011; Arnold-de Simine, 2013; Wight, 2016), in this research the focus shifts from museums to ceremonies. The thesis suggests that dynamic heritage avenues, such as folklore and festivals, could be also considered “places” of identity construction. It also explores the dynamics of identity construction and representation in festivals, through the lens of emotion and affect (Smith, 2006). For this purpose, the research adopts the Festival of Sant’Efisio in Sardinia as its case study, mainly because of its popularity among Sardinian population and visitors, and its longevity (it has been celebrated in the island every year since 1656). Moreover, as a Sardinian woman who has been living in Scotland for over five years, Chiara considers this festival as part of her cultural heritage and Sardinian belonging. Her research is, therefore, also a means through which she can keep connected to her original home despite the physical distance. Twitter: @ChiaraCocco88
Jos Collins – email@example.com
Jos’s research project results from a partnership between the IRC, Celtic and Scottish Studies (University of Edinburgh) and Traditional Arts and Culture Scotland (TRACS, Scottish Storytelling Centre). It examines the reasons behind the resurgence of interest in this old art form and folk custom and its cultural implications. It seeks to investigate the motivations for participants and what these can tell us about modern attitudes to concepts like tradition and authenticity. The main aim of the project is to explore the place of revived folk drama in contemporary Scottish society through the following objectives: to produce a survey of Scottish folk drama activities today; to examine community-led performances and related activities ethnographically; to evaluate the motivations and aspirations of participants and organisers and to assess their contribution to aspects of local identity, ideas of tradition, and community dynamics; to investigate how folk drama as a living practice contributes to developing conceptualisations of Intangible Cultural Heritage in Scotland; and to contribute to the newly emerging ‘Creative Ethnology’ movement led by the three institutions involved.
Naomi Harvey – firstname.lastname@example.org
Thesis topic: Collecting and preserving access to Intangible Cultural Heritage within the digital environment: Evaluating New Models for Scotland, supervised by Máiréad Nic Craith and Ullrich Kockel. Co-supervision from heritage specialists is provided by Alistair Bell, Sound Curator, National Library of Scotland and Scotland’s Sounds Project Manager, and Dr Hugh Hagan, National Records of Scotland, whose expertise includes oral history and community heritage.
This research is funded by the AHRC through the Scottish Cultural Heritage Consortium Scholarship, 2016-19. It critically examines issues surrounding digital preservation and access to ICH in Scotland, through the case study of Scotland’s Sounds. The project will examine how Scotland’s Sounds can ensure the sustainability of ICH sound collections, encompassing issues of: (1) collecting sound in a digital environment (2) digital access and preservation of sound material; (3) sustainable relationships between creators, community organisations and public institutions. The aim is to provide a theoretically informed critical analysis of the opportunities and challenges that advances in digital technology present for heritage organisations seeking to enhance the value, profile and understanding of ICH. Twitter: @ArchiveGnome
Lucy Lannigan – email@example.com
Thesis topic: ‘Sustainable Communities and Cultural Heritage Management: A closer look at the Isle of Skye’, supervised by Ullrich Kockel and Kerstin Pfeiffer
With a focus on local communities, this thesis will analyse the sustainability of communities on the Isle of Skye and how concerns over growing tourism have affected the cultural heritage of this island. The aim is to provide practical advice and analysis in order to better manage the relationship between local communities and the tourism industry, in relation to sustainability and cultural heritage management. The theoretical framework will focus on the link between sustainability and cultural heritage management, discussing how we can develop and nurture the future sustainability of communities on the Isle of Skye in terms of heritage and culture. Emphasis will also be placed on external factors such as social and traditional media, as well as the Bridge to Skye, detailing how this has impacted the local communities, tourism industry, overall economy and daily lives of the islanders. This thesis will address the necessity in taking measures to ensure that tourism growth can be effectively managed in the present and subsequent future, in relation to sustainability, to ensure that the cultural heritage of the island is preserved and that the relationships fostered between the local communities and the tourism industry remain positive.
Alastair Mackie – firstname.lastname@example.org
This thesis explores how the perception and understanding of European identity has changed in Scotland since 2014. Is the adaptation of European identity for the purposes of supporting independence merely a political, strategic use of collective identity, or has the debate on EU membership resulted in a wider transformation of the role of Europe in identity formation in Scotland? By means of ethnographic fieldwork, this project aims form a better understanding of the function of Europe within the identity formation of people in Scotland since the Brexit referendum. The thesis aims to link the ethnological study of European identity to concepts of vulnerability and shelter from small state studies. If Scotland were to become an independent state it would be considered a small state in Europe. Due to their size, small states have less resources than larger states, making them more vulnerable to their external environment. Small states may seek ‘shelter’ with larger states or international organisations to counteract their vulnerability. The thesis will ask how perceived vulnerability influences the formation of European identity and whether European identity offers a form of shelter by being conceptualised as a support for Scottish independence. Twitter: @asbmackie
Catherine McCullagh – email@example.com
Catherine is undertaking practice-based research with people in the archipelagos of Orkney and Shetland. Her research is funded through an SGSAH ARC Studentship. The research practice is a project to co-curate a virtual museum of the Northern Isles, and is funded by Museums Galleries Scotland, the Hugh Fraser Foundation and Shetland Museum and Archives. Catherine’s interests include creative ethnology; exploring the radical politics of co-curation as a mode for communities mobilising shared authority and cultural democracy towards more socially just and sustainable futures; collaborative deliberation of value formation and social learning for sustainable development; identity-work; and developing new ways of knowing and working through praxis. For more information on Catherine’s background and research, click here. Twitter: @kittyjmac and @NorthernNousts
Marc Romano – firstname.lastname@example.org
As one of the longest relationships in the history, the Auld Alliance challenges the recent Brexit discourse, which seeks to establish a new geography outside of Europe. In its pursuit of a separatist utopia free from bonds of European policy, Brexit offers a fictionalised geography that denies Scotland’s seven centuries of European cultural belonging. Marc’s PhD research is an exploration of the Auld Alliance as a re-reading of Scotland’s heritage discourse with a view to establishing a counter-heritage (to that which lies in the wings post-Brexit), one that establishes an identity that cannot readily disentangle itself from European culture. In a country where almost 20% of its population are in fact from foreign origin and in which 5% of the total population came from European Union, such political discourse endangers its multicultural stability. Perhaps it is reflection of why Scotland voted to remain at 63%.
Ozge Yalinay – email@example.com
Thesis topic: Interpreting Istanbul Grand Bazaar as a traditional marketplace: contemporary cultural discourse, supervised by Babak Taheri and Máiréad Nic Craith This research is intrigued by work of cultural discourse scholars, including Foucault, Said and Bakhtin, whose theory of cultural consumption space provides with the conceptual vocabularies such as ‘orientalism’ and the ‘third space’. These spaces are unusual, anti-structured and exceptional. Framed within such notions, the material and imaginary landscape of Istanbul Bazaar offers such venue for cultural consumption experience in non-Western context. The primary aim of this study is to bring together contemporary cultural discourse in a traditional marketplace, with particular focus on the Istanbul Bazaar, testing the usefulness of such theory as an interpretive framework in a specific exceptional space in non-Western context. More specifically, this study aims to offer insight into an understanding of Western consumers’ journey and experience, examining the dynamic process that flows from pre-visit to post-visit. The mixed-method approach is used to collect data from both visitors and locals in order to answer the aim of this study. The qualitative approach is applied using observation, netnography and interviews, while the quantitative approach is applied using questionnaires. For a list of Ozge’s publications, please click here.