LINCS is not only about languages; it stands for Languages and INterCultural Studies and our core purpose is to create multilingual, multicultural, global citizens. To achieve this, the “INCS” in LINCS specialises in (inter)cultural studies such as living cultural heritage, language policy and intercultural communication.
Our Cultural Studies section manages the cultural studies courses and programmes we deliver. Courses include Global Heritage, Cross-Cultural perspectives on Society, Intercultural perspectives on Sustainable Development, as well as the Global Courses (taught in all HWU campuses) Intercultural Issues in Business and Management (Undergraduate), and Intercultural Communication in the Workplace (Postgraduate). It also manages our MSc Cultural Heritages programme family, which includes our MSc in Tourism and Heritage Management. Cultural Studies staff and students are also members of our Intercultural Research Centre (IRC).
Katerina Strani is the Head of the Cultural Studies section. She has a background in Languages and Political Theory and her PhD thesis (2011) focused on communicative rationality in the public sphere. Her research is interdisciplinary and she is interested in how multilingualism and multiculturalism shape contemporary society and politics at all levels. Following an EU-funded project on hate speech and racism (RADAR), Katerina has developed a keen research interest in the concept of race, particularly race relations and the language of race. She teaches International Politics, Society and Institutions in Contemporary Europe, Intercultural Issues in Business and Management and Conference Interpreting. For a list of publications, please click here; for a list of funded projects, please click here.
Katerina is a Member of the Political Studies Association, the International Communications Association, the University Association of Contemporary European Studies and the Chartered Institute of Linguists. A.Strani@hw.ac.uk Twitter: @KaterinaStrani
Máiréad Nic Craith is Professor of European Culture and Heritage and she previously held a Chair in the School of Social Sciences and Applied Social Studies at the University of Ulster, as well as honorary professorships in other institutions in the UK and abroad. She has received many accolades for her publications, including the Ruth Michaelis-Jena Ratcliff research prize for folklife (joint winner), which was awarded at the University of Edinburgh in 2004. In 2009 she was elected to the Royal Irish Academy. Máiréad has served on numerous research evaluation panels in Europe, Canada and Australia. In 2011, she was invited by the United Nations as an expert on access to heritage as a human right. In 2013, she was invited by the European Centre on Minority Issues as an expert on (linguistic) minorities.
Máiréad’s research focuses on different aspects of living heritage including literary heritage (from the Great Blasket Island), intercultural heritage (Cork), World Heritage sites (Skellig Michael), heritage and conflict (Northern Ireland) and heritage and law in a European context. For a complete list of Máiréad’s publications, please click here. M.NicCraith@hw.ac.uk Twitter: @mairead_nc
Ullrich Kockel is Professor of Cultural Ecology and Sustainability at HWU, as well as Emeritus Professor of Ethnology at the University of Ulster and Visiting Professor in Vytautas Magnus University, Kaunas. He has a diverse academic and professional background, switching from a career in industrial management (Shell) to academic positions in Economics, Political Science, Sociology, and later Irish Studies and Ethnology. In 2003 he was elected to the Academy of Social Sciences and in 2012 he was elected to the Royal Irish Academy.
Ullrich’s overarching research interest is in sustainable local and regional development, especially the appraisal, planning and management of heritage and other cultural resources, approached from an interdisciplinary perspective rooted in anthropology, cultural ecology and political economy. He has conducted fieldwork and led projects throughout Europe. He is currently leading a work package in a €2.5m Horizon2020 project, CoHERE, on cultural forms and expressions of identity in Europe. For a complete list of Ullrich’s publications, please click here. U.Kockel@hw.ac.uk Twitter: @KockelU
Kerstin Pfeiffer is the Director of Undergraduate Teaching Programmes in LINCS and is a member of several committees at School and University level. She also represents the School of Social Sciences on Subject Panel B (Design, Visual Arts, Architecture, Creative Writing, Film, Drama & Theatre Studies, Cultural Policy (Policy, Arts Management & Creative Industries), Music, Television Studies) of the Scottish Graduate School for the Arts and Humanities. She teaches courses in German language, history and culture at UG and PG level.
Kerstin’s research interests lie in the area of theatre and performance studies and particularly in the investigation of the afterlives of older dramatic forms and the role of drama in shaping, maintaining and challenging notions of identity and community. She has published on these topics and presented her research at many international conferences.
For a list of Kerstin’s publications, please click here. K.Pfeiffer@hw.ac.uk Twitter: @DrKPfeiffer
Cristina Clopot is Research Associate at the IRC, contributing to the Horizon2020 project, CoHERE: Critical Heritages: Performing and Representing Identities in Europe. Cristina’s work explores the intersection of heritage studies, folklore and anthropology, with a particular interest for themes such as: intangible heritage, festivals, tradition, rituals, ethnic and religious heritage. In 2014, she received the Estella Cranziani Post-Graduate Bursary for Research. Cristina is a member of the board and newsletter coordinator of the Intangible Cultural Heritage network of the Association of Critical Heritage Studies and a founding member of its new Early Career Researchers’ network. She also acts as Associate Editor (Social Media) for the Anthropological Journal of European Cultures. For a list of Cristina’s publications, please click here. C.Clopot@hw.ac.uk Twitter: @cris_clopot
Claudia V. Angelelli is Professor and Chair in Multilingualism and Communication. She is also Professor Emerita at San Diego State University and Visiting Professor at Beijing University of Foreign Studies. Her research sits at the intersection of sociolinguistics, applied linguistics and translation and interpreting studies. She designed the first empirically-driven language proficiency and interpreter readiness tests for The California Endowment and Hablamos Juntos (Robert Wood Johnson Foundation). She has been PI in research projects in Argentina, Australia, the European Union, and the United States. She has also led ISO 13611: Standards on Community Interpreting and co-authored The California Standards for Health Care Interpreters. Ethical Principles, Protocols, and Guidance on Interpreter Roles and Interventions. She teaches Intercultural Communication in the Workplace and Translation and Interpreting Studies. For a full list of publications, please click here. C.Angelelli@hw.ac.uk
John Clearyis Associate Professor and Director of Studies for Exchange Programmes. With a background in Applied Linguistics, English and TESOL, John teaches British Culture & Society, Film Studies, Introduction to Languages and Intercultural Studies, and Society and Institutions in Contemporary Europe. He has coordinated many projects on internationalisation, pedagogy and intercultural communication in Europe, Turkmenistan and South-East Asia. For a list of John’s publications, please click here. J.A.Cleary@hw.ac.uk
Chiara Cocco – Cc80@hw.ac.uk
Thesis topic: Festivals and folklore through the lens of affect and emotions: the case study of Sant’Efisio in Sardinia, supervised by Máiréad Nic Craithand Kerstin Pfeiffer
Chiara’s research explores the relationship between cultural heritage performance and collective identity construction. Drawing upon previous studies and theories which analysed national and cultural identity construction in sites of heritage and memory (Knudsen, 2011; Arnold-de Simine, 2013; Wight, 2016), in this research the focus shifts from museums to ceremonies. The thesis suggests that dynamic heritage avenues, such as folklore and festivals, could be also considered “places” of identity construction. It also explores the dynamics of identity construction and representation in festivals, through the lens of emotion and affect (Smith, 2006). For this purpose, the research adopts the Festival of Sant’Efisio in Sardinia as its case study, mainly because of its popularity among Sardinian population and visitors, and its longevity (it has been celebrated in the island every year since 1656). Moreover, as a Sardinian woman who has been living in Scotland for over five years, Chiara considers this festival as part of her cultural heritage and Sardinian belonging. Her research is, therefore, also a means through which she can keep connected to her original home despite the physical distance. Twitter: @ChiaraCocco88
Jos Collins – email@example.com
Thesis topic: Living Tradition and Cultural Revival: Scottish Folk Drama in the 21st Century, supervised by Kerstin Pfeiffer, Gary West, Neill Martin and Donald Smith.
Jos’s research project results from a partnership between the IRC, Celtic and Scottish Studies (University of Edinburgh) and Traditional Arts and Culture Scotland (TRACS, Scottish Storytelling Centre). It examines the reasons behind the resurgence of interest in this old art form and folk custom and its cultural implications. It seeks to investigate the motivations for participants and what these can tell us about modern attitudes to concepts like tradition and authenticity. The main aim of the project is to explore the place of revived folk drama in contemporary Scottish society through the following objectives: to produce a survey of Scottish folk drama activities today; to examine community-led performances and related activities ethnographically; to evaluate the motivations and aspirations of participants and organisers and to assess their contribution to aspects of local identity, ideas of tradition, and community dynamics; to investigate how folk drama as a living practice contributes to developing conceptualisations of Intangible Cultural Heritage in Scotland; and to contribute to the newly emerging ‘Creative Ethnology’ movement led by the three institutions involved.
Naomi Harvey – firstname.lastname@example.org
Thesis topic: Collecting and preserving access to Intangible Cultural Heritage within the digital environment: Evaluating New Models for Scotland, supervised by Máiréad Nic Craith and Ullrich Kockel. Co-supervision from heritage specialists is provided by Alistair Bell, Sound Curator, National Library of Scotland and Scotland’s Sounds Project Manager, and Dr Hugh Hagan, National Records of Scotland, whose expertise includes oral history and community heritage.
This research is funded by the AHRC through the Scottish Cultural Heritage Consortium Scholarship, 2016-19. It critically examines issues surrounding digital preservation and access to ICH in Scotland, through the case study of Scotland’s Sounds. The project will examine how Scotland’s Sounds can ensure the sustainability of ICH sound collections, encompassing issues of: (1) collecting sound in a digital environment (2) digital access and preservation of sound material; (3) sustainable relationships between creators, community organisations and public institutions. The aim is to provide a theoretically informed critical analysis of the opportunities and challenges that advances in digital technology present for heritage organisations seeking to enhance the value, profile and understanding of ICH. Twitter: @ArchiveGnome
Alastair Mackie – email@example.com
Thesis topic: ‘Becoming a smaller part of a larger whole: changing perceptions of European identity in the Scottish independence movement’, supervised by Katerina Strani and Ullrich Kockel.
This thesis explores how the perception and understanding of European identity has changed in Scotland since 2014. Is the adaptation of European identity for the purposes of supporting independence merely a poltiical, strategic use of collective identity, or has the debate on EU membership resulted in a wider transformation of the role of Europe in identity formation in Scotland? By means of ethnographic fieldwork, this project aims form a better understanding of the function of Europe within the identity formation of people in Scotland since the Brexit referendum. The thesis aims to link the ethnological study of European identity to concepts of vulnerability and shelter from small state studies. If Scotland were to become an independent state it would be considered a small state in Europe. Due to their size, small states have less resources than larger states, making them more vulnerable to their external environment. Small states may seek ‘shelter’ with larger states or international organisations to counteract their vulnerability. The thesis will ask how perceived vulnerability influences the formation of European identity and whether European identity offers a form of shelter by being conceptualised as a support for Scottish independence. Twitter: @asbmackie
Catherine McCullagh – firstname.lastname@example.org
Thesis topic: ‘Curating Heritage for Sustainable Communities in Highly Vulnerable Environments: The Case of Scotland’s Northern Isles’, supervised by Ullrich Kockel, Donna Heddle and Ian Tait.
Catherine is undertaking practice-based research with people in the archipelagos of Orkney and Shetland. Her research is funded through an SGSAH ARC Studentship. The research practice is a project to co-curate a virtual museum of the Northern Isles, and is funded by Museums Galleries Scotland, the Hugh Fraser Foundation and Shetland Museum and Archives. Catherine’s interests include creative ethnology; exploring the radical politics of co-curation as a mode for communities mobilising shared authority and cultural democracy towards more socially just and sustainable futures; collaborative deliberation of value formation and social learning for sustainable development; identity-work; and developing new ways of knowing and working through praxis. For more information on Catherine’s background and research, click here. Twitter: @kittyjmac
Michael Richardson – email@example.com
Thesis topic: Deaf people’s participation in theatre, supervised by Kerstin Pfeiffer and Svenja Wurm
Michael does research in Deaf people and the Performing Arts. He holds a Bachelor’s degree in medicine, but has also spent much of his career as a theatre practitioner, making a particular contribution to youth theatre. His book Youth Theatre, Drama for Life (Routledge) was published in 2015. His PhD thesis is exploring the participation of Deaf people in theatre. He has presented papers drawing on his research in conferences in events in Scotland, Ireland and France. For a list of Michael’s publications, please click here. Twitter: @mr38_richardson
Marc Romano – firstname.lastname@example.org
Thesis topic: Brexit and Heritage Futures in Scotland: The Auld Alliance – Establishing a Counter-Heritage, supervised by Katerina Strani andMáiréad Nic Craith
As one of the longest relationship in the history, the Auld Alliance challenges the recent Brexit discourse, which seeks to establish a new geography outside of Europe. In its pursuit of a separatist utopia free from bonds of European policy, Brexit offers a fictionalised geography that denies Scotland’s seven centuries of European cultural belonging. Marc’s PhD research is an exploration of the Auld Alliance as a re-reading of Scotland’s heritage discourse with a view to establishing a counter-heritage (to that which lies in the wings post-Brexit), one that establishes an identity that cannot readily disentangle itself from European culture. In a country where almost 20% of its population are in fact from foreign origin and in which 5% of the total population came from European Union, such political discourse endangers its multicultural stability. Perhaps it is reflection of why Scotland voted to remain at 63%.
Ozge Yalinay – email@example.com
Thesis topic: Interpreting Istanbul Grand Bazaar as a traditional marketplace: contemporary cultural discourse, supervised by Babak Taheri and Máiréad Nic Craith
This research is intrigued by work of cultural discourse scholars, including Foucault, Said and Bakhtin, whose theory of cultural consumption space provides with the conceptual vocabularies such as ‘orientalism’ and the ‘third space’. These spaces are unusual, anti-structured and exceptional. Framed within such notions, the material and imaginary landscape of Istanbul Bazaar offers such venue for cultural consumption experience in non-Western context. The primary aim of this study is to bring together contemporary cultural discourse in a traditional marketplace, with particular focus on the Istanbul Bazaar, testing the usefulness of such theory as an interpretive framework in a specific exceptional space in non-Western context. More specifically, this study aims to offer insight into an understanding of Western consumers’ journey and experience, examining the dynamic process that flows from pre-visit to post-visit. The mixed-method approach is used to collect data from both visitors and locals in order to answer the aim of this study. The qualitative approach is applied using observation, netnography and interviews, while the quantitative approach is applied using questionnaires. For a list of Ozge’s publications, please click here.
By Katerina Strani